Last night, the 76th annual Tony Awards celebrated this year on Broadway by making history and breaking rules, and awarding Kimberly Akimbo the Award for Best Musical.
At the United Palace in Washington Heights, the audience gathered to reflect on and award this past Broadway season. The theatre industry has seen drama offstage this year. Arguments about how much actors should give to their performances, discussions on the industry’s ableism and racism, post-COVID struggles that forced iconic shows to close, and Patti LuPone ripping up her Equity union card were just some of the one-act plays we saw debut on social media.
Ariana Debose hosted the show for the second year in a row. But this year, she did things differently. The show opened to her looking through her script for the 76th annual Tony Awards, only to find blank pages. Unlike most Tony Awards opening numbers, there was no singing. DeBose moved into an impressive dance number choreographed by Carla Garcia. It was started the night with a bang as it married Fosse with modern styles. Once onstage―after catching her breath―DeBose shared the “very good reason” why the Tony’s script pages were blank.
“Our siblings over at the [Writer’s Guild of America] are currently on strike in pursuit of a fair deal,” DeBose said. “I’m sure some of you at home are thinking, ‘Oh, okay, but what does that have to do with the Tony Awards?…Award shows are traditionally written by members of the WGA. So in order for this show to go on, a whole host of people had to come together in order to find a compromise…And so now you are asking, what’s the compromise? Well, we don’t have a script.”
Without teleprompters, the night felt charged. Just like any Broadway show, this truly was a live performance. But that wasn’t the only part of the Tony’s that made it unlike any other before. Alex Newell and J. Harrison Ghee made history as they became the first out non-binary actors to win Tony awards. Even though Toby Marlow, who won the Tony for best musical score for Six, is non-binary, Newell and Ghee are the first in the Tony’s only gendered category: acting.
Newell won best supporting actor in a musical for their performance of Lulu in Shucked, a new musical comedy nominated for 9 Tony awards. Shucked tells the story of Maizy, who travels to find out why all of the corn in her small town, Cob County, is dying. The constant corny humor makes audiences laugh nonstop.
“Broadway, I should not be up here,” Newell said in their acceptance speech. “As a queer, non-binary, fat, black little baby from Massachusetts. And to anyone that thinks that they can’t do it, I’m going to look you dead in your face and tell you that you can do anything you put your mind to.”
Soon after, Ghee accepted the Tony for best leading actor in a musical for their portrayal of Jerry/Daphne in Some Like it Hot. They thanked their producers and creative team for letting them lead. “Thank you…for letting me be representation, letting lives be seen.”
Although there were many great shows nominated, one swept overall. New musical Kimberly Akimbo won 5 awards, including best new musical. Even though the night was unscripted, critics and audiences alike were not surprised.
The musical tells the story of Kimberly, a 16-year-old girl born with a rare genetic condition that makes her age almost five times as fast as kids her age. The show is heartwarming and breaking. Other than best musical, Kimberly Akimbo took home beat supporting actress (Bonnie Milligan), best lead actress (Victoria Clarke), best original score, and best book of a musical.
Despite how the show was real and unfiltered, censorship reminded viewers of big differences between stage and screen. After two previous nominations, Michael Arden scored his first win for Direction of a musical for his work on Parade, which won best musical revival. Arden took his acceptance speech as an opportunity to speak out about the need to fight intolerance. “It is so, so important,” Arden stressed, “or else we are doomed to repeat the horrors of our history.”
What viewers remember most about Arden’s speech, though, is something we could not even hear. “to our beautiful trans, nonbinary, queer youth, know that your queerness is what makes you beautiful and powerful,” he expressed. “Growing up, I was called the f word more times than I can remember, and now all I can say is I’m a f***** with a tony.” CBS censored the last words of Arden’s speech. Still, we saw how the live audience stood up and cheered louder than they had all night.
If you missed the 76th Tony Awards, you can stream it on Paramount Plus.
76th Annual Tony Award Winners
Best Play
Ain’t No Mo’
Between Riverside and Crazy
Cost of Living
Fat Ham
Leopoldstadt
Best Musical
& Juliet
Kimberly Akimbo
New York, New York
Shucked
Some Like It Hot
Best Revival of a Play
August Wilson’s The Piano Lesson
A Doll’s House
The Sign in Sidney Brustein’s Window
Suzan-Lori Parks’ Topdog/Underdog
Best Revival of a Musical
Parade
Into the Woods
Lerner & Loewe’s Camelot
Sweeney Todd: The Demon Barber of Fleet Street
Best Book of a Musical
& Juliet
Kimberly Akimbo
New York, New York
Shucked
Some Like It Hot
Best Original Score (Music and/or Lyrics) Written for the Theatre
Almost Famous
Kimberly Akimbo
KPOP
Shucked
Some Like It Hot
Best Performance by an Actor in a Leading Role in a Play
Yahya Abdul-Mateen II, Suzan-Lori Parks’ Topdog/Underdog
Corey Hawkins, Suzan-Lori Parks’ Topdog/Underdog
Sean Hayes, Good Night, Oscar
Stephen McKinley Henderson, Between Riverside and Crazy
Wendell Pierce, Arthur Miller’s Death of a Salesman
Best Performance by an Actress in a Leading Role in a Play
Jessica Chastain, A Doll’s House
Jodie Comer, Prima Facie
Jessica Hecht, Summer, 1976
Audra McDonald, Ohio State Murders
Best Performance by an Actor in a Leading Role in a Musical
Christian Borle, Some Like It Hot
J. Harrison Ghee, Some Like It Hot
Josh Groban, Sweeney Todd: The Demon Barber of Fleet Street
Brian d’Arcy James, Into the Woods
Ben Platt, Parade
Colton Ryan, New York, New York
Best Performance by an Actress in a Leading Role in a Musical
Annaleigh Ashford, Sweeney Todd: The Demon Barber of Fleet Street
Sara Bareilles, Into the Woods
Victoria Clark, Kimberly Akimbo
Lorna Courtney, & Juliet
Micaela Diamond, Parade
Best Performance by an Actor in a Featured Role in a Play
Jordan E. Cooper, Ain’t No Mo’
Samuel L. Jackson, August Wilson’s The Piano Lesson
Arian Moayed, A Doll’s House
Brandon Uranowitz, Leopoldstadt
David Zayas, Cost of Living
Best Performance by an Actress in a Featured Role in a Play
Nikki Crawford, Fat Ham
Crystal Lucas-Perry, Ain’t No Mo’
Miriam Silverman, The Sign in Sidney Brustein’s Window
Katy Sullivan, Cost of Living
Kara Young, Cost of Living
Best Performance by an Actor in a Featured Role in a Musical
Kevin Cahoon, Shucked
Justin Cooley, Kimberly Akimbo
Kevin Del Aguila, Some Like It Hot
Jordan Donica, Lerner & Loewe’s Camelot
Alex Newell, Shucked
Best Performance by an Actress in a Featured Role in a Musical
Julia Lester, Into the Woods
Ruthie Ann Miles, Sweeney Todd: The Demon Barber of Fleet Street
Bonnie Milligan, Kimberly Akimbo
NaTasha Yvette Williams, Some Like It Hot
Betsy Wolfe, & Juliet
Best Scenic Design of a Play
Prima Facie
Life of Pi
Good Night, Oscar
Leopoldstadt
A Christmas Carol
Best Scenic Design of a Musical
New York, New York
Sweeney Todd: The Demon Barber of Fleet Street
Lerner & Loewe’s Camelot
Shucked
Some Like It Hot
Best Costume Design of a Play
Life of Pi
Fat Ham
Leopoldstadt
Ain’t No Mo’
Good Night, Oscar
Best Costume Design of a Musical
Some Like It Hot
Parade
Lerner & Loewe’s Camelot
KPOP
& Juliet
New York, New York
Best Lighting Design of a Play
Leopoldstadt
Prima Facie
A Doll’s House
Fat Ham
Life of Pi
Arthur Miller’s Death of a Salesman
A Christmas Carol
Best Lighting Design of a Musical
New York, New York
Lerner & Loewe’s Camelot
Parade
& Juliet
Some Like It Hot
Sweeney Todd: The Demon Barber of Fleet Street
Best Sound Design of a Play
Ain’t No Mo’
Life of Pi
A Christmas Carol
A Doll’s House
Prima Facie
Best Sound Design of a Musical
New York, New York
Shucked
Into the Woods
& Juliet
Sweeney Todd: The Demon Barber of Fleet Street
Best Direction of a Play
Saheem Ali, Fat Ham
Jo Bonney, Cost of Living
Jamie Lloyd, A Doll’s House
Patrick Marber, Leopoldstadt
Stevie Walker-Webb, Ain’t No Mo’
Max Webster, Life of Pi
Best Direction of a Musical
Michael Arden, Parade
Lear deBessonet, Into the Woods
Casey Nicholaw, Some Like It Hot
Jack O’Brien, Shucked
Jessica Stone, Kimberly Akimbo
Best Choreography
Sweeney Todd: The Demon Barber of Fleet Street
Some Like It Hot
New York, New York
& Juliet
KPOP
Best Orchestrations
& Juliet
Kimberly Akimbo
Shucked
Some Like It Hot
New York, New York
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