The American Symphony Orchestra has recently announced plans for its 62nd season which will feature four full-orchestra programs at Carnegie Hall and Manhattan’s Riverside Church among other concert events. The 2023-24 season will commence on September 7th with a free opening picnic concert from the symphony orchestra, titled American Expression, and will end on March 22nd of next year.
In 1962, Leopold Stokowski founded the American Symphony Orchestra as a way to provide music within the means of everyone. That mission has been enhanced and expanded since the year of 1992 which brought forth Music Director Leon Botstein, who introduced thematic concerts to the orchestra in order to explore music from the perspective of visual arts, literature, religion, and history, as well as revive scarcely performed works that audiences would otherwise never have had the opportunity to experience through a live orchestra.
Keeping to this theme, the 62nd season is to be littered with rich performances of select compositions from history’s choral catalogue. A few program highlights include a performance of George Frideric Handel’s Judas Maccabaeus which will be presented in Morningside Heights at the Riverside Church on December 14th. This will be followed by a rare performance of Dvořák’s Requiem in January at Carnegie Hall. On March 22nd, Schoenberg’s massive cantata, Gurre-Lieder, infrequently performed due to the unusually large number of musicians required, will bring the Orchestra’s season to an impressive close.
Botstein, who will conduct each of the four program’s performances, mentions his excitement for the ongoing mission as he enters the new season saying, “As we prepare for our 62nd season, I am energized by our ongoing ability to renew live orchestral music as a vital force in contemporary American culture. Now that we have emerged from the major restrictions of the pandemic, the ASO continues that mission in 2023-24 by presenting large choral works that highlight the power of the human voice.”
The American Symphony Orchestra will also be offering two free performances under America UNBOUND at Bryant Park as a part of its chamber concert series. These performances will be presenting percussionist and composer Javier Diaz’s new work Suns and Moons of a New World. In addition, the organization will also offer a digital premier of Ficciones, an immersive concert film experience featuring Roberto Sierra’s Concerto for Electric Violin and Orchestra performed by renowned soloist Tracy Silverman.
AOS 2023-24 Program Schedule
September 7, 7:00 PM – Opening Program: American Expressions – Bryant Park
September 10, 3:00 PM – Kupferberg Center for the Arts, 6530 Kissena Blvd, Flushing, NY: American Symphony Orchestra; Leon Botstein, conductor; George Antheil: A Jazz Symphony; Ruth Crawford Seeger: Music for Small Orchestra; Aaron Copland: Music for the Theatre; Florence Price: Andante moderato (for string orchestra); John Alden Carpenter: Krazy Kat
In the years immediately following World War I, the American artistic scene experienced an extraordinary burst of creativity. Responding to the horror and brutality of the war, artists, writers, and composers rejected the ideals of the previous century, focusing instead on creating a means of expression that would reflect the realities this new age required. With jazz, many American composers found a source of distinctly American inspiration that was modern and exciting. Some of the works offered in this program reflect a fascination with the language of the Roaring Twenties and its rhythmic energy and catchy melodies. Other composers sought to push the boundaries of musical expression with ‘ultra-modern’ language such as jagged counterpoint or atonality. The experimental impulses of this generation are presented here with works by some of its key proponents.
Tickets: Free performances. For Bryant Park on Sept. 7, no tickets or RSVP required, staff lends out free picnic blankets, provides bistro chairs, and offers a curated selection of food and drink to purchase from local vendors. For Sept. 10 at Kupferberg Center for the Arts, attendance is free with online RSVP at americansymphony.org (starting on August 10, 2023).
September 18 and September 25, 5:30 PM – UNBOUND: Free Chamber Concerts in Bryant Park – Bryant Park Upper Terrace: Toyin Spellman-Diaz, oboe, English horn, voice; Shari Hoffman, clarinet; John Sheppard, trumpet; Javier Diaz, percussion; Shiqi Zhong, percussion; Pauline Kim Harris, violin; Pete Donovan, double bass; Javier Diaz: Suns and Moons of a New World; I. Preludio de la Gran Sabana (Prelude of the Great Plains); II. Mis Muertos Cantan (All My Dead Sing); III. Concierto Barroco (Baroque Concerto); IV. Domingos Álvares, A Priest of Sakpatá in Eighteenth-Century Brazil; V. Sinfonía de Cámara (Chamber Symphony)
The ASO continues its series of free concerts in Bryant Park with America UNBOUND. The program underlines the importance of multicultural influences in the music of the Americas and presents the new chamber work Suns and Moons of a New World, by percussionist and composer Javier Diaz. Offering a compositional look at the American continent unbound through musical histories that emphasize the universality of sound, word, and song, the piece incorporates musical and cultural elements from across the Americas, including the use of a J.S. Bach chorale in Venezuelan merengue. It is performed by a chamber ensemble of ASO musicians and features GRAMMY-nominated Imani Winds’ oboist Toyin Spellman-Diaz. Commissioned by the ASO, the work received its world premiere at Bryant Park in May 2023.
Tickets: Free, no tickets required. Guests will find a limited number of first-come, first-served chairs set up near Bryant Park’s Upper Terrace to enjoy an after-work respite with live music.
December 14, 7:00 PM – Riverside Church Nave, 490 Riverside Drive, New York, NY – Judas Maccabaeus: American Symphony Orchestra; Leon Botstein, conductor; Members of Bard Festival Chorale and Riverside Choir; George Frideric Handel: Judas Maccabaeus, HWV 63
The ASO offers an alternative to Handel’s Messiah with another oratorio, Judas Maccabaeus. Set amidst the story of Hanukkah, the oratorio is a dramatization of the Jews’ resistance to their oppressors during the Maccabean Revolt. Handel’s depiction of a peoples’ triumph over tyranny is brought to life through exultant choruses, sung by members of Bard Festival Chorale and Riverside Choir and soloists. Soloists will be announced at a later date.
Tickets: Priced at $25–$35, and $15 for students and seniors, are available on September 1 at americansymphony.org.
January 25, 2024, 8:00 PM – Carnegie Hall, Isaac Stern Auditorium – Dvořák: Requiem – Conductor’s Notes Q&A, 7:00 PM: American Symphony Orchestra; Leon Botstein, conductor; Antonín Dvořák: Requiem, Op. 89
Antonin Dvořák’s Requiem (1890) is nowhere nearly as well-known or performed as the composer’s late symphonies, chamber pieces, or other choral works, such as his StabatMater. Dvořák’s Requiem is close to Fauré’s or Cherubini’s contributions to the genre in its often introspective mood, its gentle melodies and overall lyricism. The use of a four-note chromatic motif in almost all sections of the piece gives the work a feel of thematic unity. While rich in invention and expressivity, its melancholic examination of the mysteries of life and death make the Requiem more deserving of further exploration in the public sphere.
Tickets: Priced at $25–$65, tickets are available on September 1 at carnegiehall.org, by calling CarnegieCharge at 212.247.7800, or visiting the box office at 57th St. & 7th Ave.
March 22, 2024, 8:00 PM – Carnegie Hall, Isaac Stern Auditorium – Schoenberg’s Gurre-Lieder – Conductor’s Notes Q&A 7:00 PM: American Symphony Orchestra; Leon Botstein, conductor; Bard Festival Chorale; James Bagwell, choral director; Arnold Schoenberg: Gurre-Lieder
To mark the centennial of its 1913 world premiere in Vienna, and more than 90 years since its 1932 American premiere by American Symphony Orchestra founder Leopold Stokowski with the Philadelphia Orchestra, the ASO presents Arnold Schoenberg’s massive and rarely performed Gurre-Lieder. Wagnerian in conception, this cantata represents the ideal of late Romanticism, with its lush, colorful orchestration of more than 150 musicians, endless melodies, and a highly chromatic harmonic language. The work is seldom performed due the sheer number of artists involved and the logistical challenges it poses. The cantata springs from a sonnet in an 1868 novella titled A Cactus Blooms by the young Danish poet Jens Peter Jacobsen, who based his prose on a 14th-century Gurre legend about King Valdemar, his passion for the maiden Tove Lille, and their love tryst at Gurre Castle. Soloists will be announced at a later date.
Tickets: Priced at $25–$65, tickets are available on September 1 at carnegiehall.org, by calling CarnegieCharge at 212.247.7800, or visiting the box office at 57th St. & 7th Ave.
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