On Friday March 31st, lo-fi pop rocker JAWNY took over Manhattan’s infamous Bowery Ballroom. JAWNY and his opener Wallice had performed their first night in New York City at Brooklyn’s Baby’s Alright just a couple nights before, but they expressed their bottled excitement they withheld for the ballroom. Just over half way through their North American tour, the JAWNY and his crew still had lots of energy to rock with.
The opening act, Wallice, put on a full indie-rock concert of her own. The crowd was immediately responsive to her sound, as they sang all her lyrics right back to her. Her stage presence was inviting, and commanded a sort of confidence most artists aim to possess. The Bowery Ballroom show was Wallice’s last with JAWNY, because as he revealed later in his set, she will be supporting The 1975 on their Australian leg of tour set to start on April 8th. She kicked off JAWNY’s North American Tour at the start of March, and concluded her contribution with an electric bang.
When Wallice bid her farewells, the floor of the ballroom volumized tight with fans. Conversation was buzzing under the fluorescent blue lights, and the clock ticked down meticulously to JAWNY’s set. Finally, the lights dimmed and the universal music-listener’s hype song “Mr. Brightside” by The Killers took over the speakers. The conversational buzz erupted into an animated sing along. When the first chorus fell into silence, the crowd jumped and called out for JAWNY.
The instrumental intro mimicked the “Twin Peaks Theme” song. The eerie guitar riff turned hype as it successfully revved up the crowd. On the stage was a tall mannequin with a long-haired platinum wig adorned in a suit to mimic JAWNY’s presentation, a green electric guitar, a bass, and a drumset. Out came JAWNY’s supporting band members, Gambee on the bass and Curtis Kelley on the drums, and they took to their instruments. They played their own welcoming intro for JAWNY before he ran onto the stage, pumping his arms to elicit screams from the crowd. He wanted noise, and unsurpassable volume is what he got.
It seemed as though the crowd’s volume exceeded Bowery’s usual noise capacity. As the strobe lights cascaded onto the crowd and the percussion pounded against the venue’s foundation, the building’s body began to shake. Before singing his first song, JAWNY affirmed into the mic, “It feels good to be home in New York City baby.”
He dove into his setlist with one of his most popular songs “strawberry chainsaw.” The song’s lyrics preached the paradoxical sweet violence of young love, as did many of the songs on his setlist. JAWNY’s lyrics paid ode to the blissful oblivion of being young and the tumultuous and continuous transition into the awareness that’s only awarded to a person by time. His rocker presence invoked a surge of movement in the audience. As he jumped and kicked around on stage while shredding his guitar, members of the crowd bounced on and off of each other.
In between songs, he paused to tell a story he “hasn’t told on tour yet.” He reminisced on a Whitney concert he saw at the Music Hall of Williamsburg, another renowned New York City venue, in 2016. He told his girlfriend at the time that he was going to sell out a venue like this. She and his friends laughed at him, because he had never put out a song. The crowd also collectively laughed in response, but he interjected and declared his dreams fruition, “But you all made that dream come true. I just sold out two nights in New York City!”
His music held such an individual sound, but shared the affectivity of artists like Twenty-One Pilots, COIN, Still Woozy, and Peach Pit. This promised a night of dancing and scream-singing various fan-favorite lyrics. JAWNY revealed that the Bowery Ballroom show was going to have “the longest set on tour.” He went on to play new and old songs, like his aged song “4Tounce,” that weren’t usually on his setlist.
As the night flowed on, JAWNY expressed his gratitude for New York City. “Y’all are f*ckin’ fun,” he praised. Sadly, the neon lights had to fade and the high energy had boiled down to a steaming simmer. When JAWNY made his final departure and the ballroom lights turned on signaling the crowd’s exit, there was a brief moment of the surreal. Music was still playing in everyone’s ears and the lights danced behind their eyes. Everyone stood still.
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