Valerie June, Rachel Davis, Yasmin Williams, and Thao Share Songs in Buffalo

Buffalo was abuzz, the Bills were home for a big Monday night matchup against the visiting Denver Broncos. But there was another bill that held more sway for those gathered inside Asbury Hall. Valerie June, Rachel Davis, Yasmin Williams, and Thao combined forces examining the current and past state of folk through a female lens. It was Monday Night Folk-for-all.

Valerie June, Rachel Davis, Yasmin Williams, and Thao Share Songs in Buffalo

Not oblivious to the world around them, with a nod and a wink, the foursome arrived on stage to the sounds of “The Final Countdown.” It was a last minute audible that would have hit more on the nose had they been able to conjure up their intended walk out music: the Monday Night Football theme song. But it was clear from the get-go they were in a playful mood and having a great time. Coming from a day off in Cleveland, they were rested and raring to go.

The group first got together for a special panel at the Ann Arbor Folk Festival. They enjoyed it so much that they put together this very special little tour which the folk-over-football Buffalonians were lucky enough to witness. Sitting in a row on the stage, they shared their songs in a Nashville-style round.

Valerie June started the show off with her unique blend of soul and folk, with a flashy green dress and her signature head of dreads. She’s colorful through and through and lights up the room with just her presence, but her bright smile, wonderful voice and incredible songs certainly don’t hurt. Rachel Davis followed, flexing her own vocal range going a capella with Sally Rogers’ “Circle of the Sun.” Yasmin Williams went in the opposite direction, playing her instrumental “Cliff Walk” with stunning finger picked and tapped guitar. Thao concluded the first round with “Kindness Be Conceived,” a song from her indie-rock band, Thao and the Get Down Stay Down. She strapped on her electric guitar and was joined with some light percussion and hand claps form the others. Each woman brought their own perspective and sound. It was like four concerts in one. And around and around they went.

As folks songs tend to do, their songs often told stories. But the format of the concert provided the artists to open up with some of the stories behind and around the songs and instruments they played. Davis’ was playing the banjo that her dad used to teach her which he also learned to play on. He ended up gifting it to her when she first left the shores of Lake Michigan for Boston, and the sound of it reminded her of home.

Valerie June, Rachel Davis, Yasmin Williams, and Thao Share Songs in Buffalo

Williams’ unique lap-style and finger tapping guitar style was something she developed from mastering Guitar Hero using a similar technique. The game inspired her to learn guitar for real, but she quickly bored of her lessons and taught herself instead. The results are her precise and uniquely-styled playing. Some of the stories only went back as far as the night before, and apparently Williams used her precision for some bowling hijinks on their night off in Cleveland. [details redacted]

The audience was also regaled with stories of June’s childhood home, so far away from any neighbors that she had a habit of showering naked in the rain. So her “Rain Dance” is not just a song but a part of her childhood. Thao introduced “Temple” with the story behind the lyrics. She took her mother on a trip home to Vietnam and it brought out a side of her she had never seen. The song’s lyrics, written from her mother’s perspective, touched deeper with the backstory in hand.

The group also joined forces to make music magic. In a unexpected twist, they played three minutes of improvisation, June and Davis humming, Williams on mbira, and Thao on her guitar. It was a bold choice that not only worked out brilliantly, but broke up the song-circle perfectly.

The show closed with them once again playing together, more traditionally, on a cover of “Shady Grove,” each lady taking a verse. The audience of course wouldn’t let such a special concert end in regulation, so they cheered them on for a little overtime. Another brilliant cover ensued as they tackled “I Shall Be Released” before bringing back in a little more heartfelt humor with a quick victory lap of “Thank You For Being A Friend.” And the best part of all, for this bill, everyone was a winner.

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