Noah Kahan triumphantly returned to Central New York on Friday for a sold-out performance at Lakeview Amphitheater. It was Kahan’s second sell-out concert in Syracuse this summer, having previously played Beak and Skiff in June. Ruston Kelly opened the show.
Few in the music industry have seen the rise to success quite like Noah Kahan. The 26 year-old singer-songwriter has seen his popularity explode in recent months, selling out nearly every venue in his path. His successes are never more evident than in Central New York. Less than two years ago, Kahan performed at The Westcott Theater in Syracuse. Three months ago, he performed a sold-out concert at Beak and Skiff, and now, he has again returned with a sold-out performance at the much larger Lakeview Amphitheater.
As 8pm hit, opening act Ruston Kelly took the stage with his bandmates. The Nashville based singer-songwriter kicked his set off with “Cover My Tracks,” the opening number on his 2018 release Dying Star. The song was a good preview of what was to come during the 45 minute set. Kelly delivered a stream of well-written moderate tempo Americana style tracks, with Kelly showing that he excelled at telling a story while delivering his heart-felt lyrics.
Kelly showcased his ability to hype the crowd as well, performing two well-placed covers during his set. Early on, Kelly led the crowd in his rendition of Wheatus’ “Teenage Dirtbag” which had fans young and old singing along to the familiar chorus. Later in his set, Kelly delivered the Taylor Swift cover “All Too Well,” which had nearly everyone in attendance on their feet and singing along. Kelly would close out his set with “The Weakness,” the opening track on his latest release of the same name. The slow moving track would build in intensity until reaching an impressive crescendo.
As the final stage preparations wrapped up between sets, anticipation through out the concert grounds kept building, with palpable anticipation for Noah Kahan’s arrival. Finally, just after 9:20, the house lights went dark and the four members of Kahan’s band took the stage. After a brief instrumental introduction, Kahan strutted to the front of the stage. With a wave and a smile, and a deafening roar from the crowd, the band launched into the high energy “Northern Attitude,” the lead track on Kahan’s 2022 release Stick Season. The opening song served as a preview for what was to transpire over the next 95 minutes. Nearly everyone in attendance sang along, in deafening fashion, to nearly every word. Kahan kept the energy flowing early, moving into “She Calls Me Back,” and “New Perspectives.”
Early in the set, it was clear Kahan could not contain his excitement. He urged the stage workers to turn on the house lights, so he could catch a glimpse of the crowd in front of him. “This is the largest show we’ve ever played, thank you all so much,” Kahan proclaimed, giddy with excitement. He took turns dancing with his band mates early in the set, skipping across the stage and jumping from the drum riser.
Through out the evening Kahan’s energy would give way to more serious subject matter. The singer-songwriter spoke of loneliness and isolation at times, and urged those in attendance to seek help when needed. He sang of his journey through therapy on “Growing Sideways,” and sang of a close friend’s similar struggles on “Call Your Mom,” a track Kahan himself said is often too emotional for him to perform live. Through the heavy subject matter, Kahan would lead his listeners back to more up-tempo sing-along tracks, at times urging their participation, to which the crowd feverishly obliged. After a brief encore break, Kahan and his bandmates would close out the evening with three more songs, including perhaps his biggest hit to date, “Stick Season.” It provided those in attendance one final opportunity to showcase their voices, and they too did not disappoint.
Noah Kahan
Ruston Kelly
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