The debut recording from timing – featuring members of punk rock bands Public Access and The Slaughterhouse Chorus – will be premiered on Saturday, January 28 at The Hanger in Troy.
The album, Storm’s Coming, is more of a recording project and one that cannot be performed live. However on this night at The Hanger, the album will be played in its entirety, set to a 30 minute video that follows the flow of the album. On Storm’s Coming, the weather seems fine -but it could change at any time.
timing’s formation was a reaction to an ever-changing forecast and the debut recording a song cycle about the storms of uncertainty that was borne on the winds of most uncertain times. In the strange, scary summer of 2020, four lifelong musical comrades – Chris Jordan (vocals, resonator, keys), Jason Bonafide (pedal steel guitar), Bob Watson (bass) and Mark McKenna (drums) -reconvened after their first extended break in nearly 20 years of weekly rehearsals for their reasonably regionally successful punk rock bands, Public Access and The Slaughterhouse Chorus. With the doors wide open and plenty of room to breathe, the four dragged some instruments into an old horse barn in rural Rensselaer County to start again.
A handful of fingerpicked resonator riffs and bits of melodies collecting dust were finally given a place in the sun as the band developed a series of Jordan’s instrumental ideas into the basis of “Storm’s Coming” over that eerily quiet summer in the barn. Jordan and Bonafide traded their distorted guitars for plucked acoustics and steel guitar swells, learning to play as they went, while Watson and McKenna locked into backcountry rhythms that occasionally spiraled into chaos. Inspired by Radiohead’s approach to Kid A, the band forced itself to embrace the uncertainty of the times by substantiating those early demos with unusual instrumentations, unconventional songwriting, and unfamiliar production techniques.
Live recordings from the barn were brought back to Bonafide’s basement studio, unraveled, ripped apart, and reassembled, with the traditional sounds forming the dirt floor for an off-kilter skyscraper of strings, synthesizers, drones, and impressionistic lyrics delivered in rich harmonies. Built up brick by brick over the course of the next two years into a multifarious musical collage, the EP attempts to interface Nine Inch Nails‘ industrial dread with the organic warmth of Crosby, Stills, & Nash without losing course.
Mixed by Scoops Dardaris (Prince Daddy & The Hyena, Undeath) and mastered by Nick Sebastiano (Another Michael), timing’s Storm’s Coming is a concept album where meteorology is the metaphor for life’s everyday anxiety and unease, where the thunderheads are always lurking somewhere on the horizon, where the river is always threatening to flood its banks. The alt-country heart of the record skips into arrhythmias of crashing doom, swirling post-rock, pastoral indie-folk, and glitching electronics. Tossed around somewhere in the trailing wakes of The Band and The Books, Aphex Twin and Aaron Copeland, the resulting mini-album is an amalgamation of the new and the old, the familiar and the unknown, blurring the lines between acoustic and electronic and riding the fence dividing tradition and experimentation.
Doors open at The Hanger on January 28, with music starting at 8pm. Admission is free.
Listen to “The King” below or on various streaming services here. The rest of Storm’s Coming will be released on Friday, February 3rd on Bandcamp.
Comments are closed.