On a night where the company was only surpassed by the music, Vulfpeck performed their highly anticipated Brooklyn Bowl debut. Following the final night of Chris Robinson Brotherhood’s three-night run, the smooth funk group from Michigan was the perfect late night show. Dancing across the lanes never felt so good.
A happy four piece with a variety of guests joining throughout the night. Vulfpeck is energetic and they lay down a sensual brand of funk, and were clearly excited to be in New York. Playing to a sold out crowd that demanded a second show be added for Monday, November 23 at Brooklyn Bowl, Vulfpeck joins The New Mastersounds, Kung Fu, Lettuce and Marco Benevento, ushering in the next era of in demand funk bands. Mister F has impressively covered them on multiple occasions, and the word is starting to get out. Guitarist and drummer Theo Katzman, nodding to the band’s late arrival to the stage, suggested starting “a movement to encourage starting on time,” but none in the audience were complaining. Katzman gave shout outs to Lenox Hill Hospital and Bellmore, Long Island, marking a homecoming performance for the multi-instrumentalist.
The attentive crowd anticipated the funk throughout the night, Charles Jones joined Vulfpeck on keys and smooth ’70s style vocals. A promising instrumental cover of Cheryl Lynn’s “To Be Real” was accented by the Bowl’s disco ball. When the band broke into “1612”, the crowd sang the “Frank Sinatra” line like they’d be seeing them for years.
Moving around on stage and switching instruments, with two keyboardists at times, added a degree of difficulty not seen by many acts. Antwaun Stanley sang at key points of the set, adding soul to “Funky Duck” and “1612” among many more. For their first Brooklyn Bowl show, the venue was full, the audience fulfilled and Vulfpeck delivered.