In Manhattan, classical music does not exist in a single form, but instead moves as an ever-changing practice shaped by the city itself. The will of this discipline is exemplified across a single winter weekend. From Saturday evening January 31 into Sunday February 1, Manhattan takes a journey through musical contrast rather than continuity.
That journey begins January 31 at Carnegie Hall’s Zankel Hall, where Orpheus Chamber Orchestra returns to the stage with violinist Stella Chen.
At 7 pm, the historic performance, long known for its conductor-less model, is offering a vibrant symphonic experience. Orpheus Chamber Orchestra performs works by Villa-Lobos, Piazzolla, and Bach, creating an intimate program that highlights the ensemble’s collective style at close range. Chen, praised for her “brilliant command” and “silken grace” (The Strand) adds both precision and warmth to the evening.
On Sunday, February 1, the Oratorio Society of New York performs at the Cathedral of St. John the Divine. Following the organ’s restoration after the devastating fire in the Cathedral, music director Kent Tritle will embody a program that is rooted in renewal and tradition. Featuring Vierne, Fauré, Gounod, Lili Boulanger, and Massenet, French sacred works will unfold across the Cathedral, shaped by history and evolution.
The concert takes place at 5pm; it follows OSNY’s triumphant Messiah at Carnegie Hall and precedes its annual Lyndon Woodside Oratorio-Solo Competition Finals.
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