Under the cover of night on April 12, performing a total of 37 songs, not including the orchestra that introduced him at the top of the night before morphing musically into “Nadie Sabe,” Bad Bunny showed fans at the Barclays Center in attendance for his ‘Most Wanted’ Tour that he isn’t going anywhere.
From opening the show with a full-string orchestra who performed for about 15 minutes of stage time the dynamic backup dancers, Bad Bunny really put on one western and trap inspired show. At one, he exited the stage only to re-enter again on horseback. And yes, it was a real horse.
The first act consisted of songs mostly from his latest LP ‘Nadie sabe lo sue va a passer manana.’ Bad Bunny changed it up by going back to his trap roots with “Tu No Metes Cabra,” which was released in 2017, followed by “Pa Ti” and “No Te Hagas.” He made sure to greet just about every section of the Barclays Center and accomplished that with a floating catwalk in the center of the arena that slowly spun around the venue. In the final act, Bad Bunny transported fans to the songs that have taken the world by storm, such as his 2023 single with Grupo Frontera, “Un x100to” as well as megahits from 2020’s YHLQMDLG (“Safaera” and “Yo Perreo Sola”) and 2022’s Un Verano Sin Ti (“Efecto” and “Me Porto Bonito”).
While some fans may have been disappointed to not hear their favourite song, the show ended on a strong note with “Efecto” and “Me Porto Bonito” — both songs whipped fans into a frenzy that felt worth the wait. Bunny closed the show with “WHERE SHE GOES” — and confetti.
And the crowd left with the sense they had just seen a true international superstar.
Bad Bunny Setlist: NADIE SABE, MONACO, FINA, HIBIKI, MR. OCTOBER, MERCEDES CAROTA, CYBERTRUCK, VOU 787, SEDA, BATICANO, Pa Ti, No Te Hagas, Vuelve, Me Mata, Soy peor, Tú no vive así, Chambea, Diles, 25/8, VUELVE CANDY B, THUNDER Y LIGHTNING, GRACIAS POR NADA, UNX100TO, BABY NUEVA, PERRO NEGRO, Safaera, Yo perreo sola, La Santa, La Jumpa, DÁKITI, Efecto, Me Porto Bonito, UN PREVIEW, NO ME QUIERO CASAR, and WHERE SHE GOES.
Comments are closed.