On the heels of releasing her eighth solo studio album on April 14, Keep Your Courage (Nonesuch Records), Natalie Merchant played the Alice Tully Hall at Lincoln Center for two consecutive sold-out shows this on the evenings of Friday, June 2 and Saturday, June 3.

A huge fan of hers since the heyday of the 10,000 Maniacs in the late-1980s and early-1990s, I was “blessed and lucky” enough to be in attendance for the night two performance on June 3.

At the midway point of a 45 date tour that shares the same name as her new album, the Jamestown, NY native brought her trademark, unmistakable alto chops to the Adrienne Arsht Stage, within the warm, wood veneer confines of the Starr Theater. In celebration of her first new material since 2017, Merchant has been performing several shows on the tour while backed by an orchestra. And Friday and Saturday’s concerts were no different as The Knights, a symphonic orchestral collective based in New York City and led by Associate Conductor Michael P. Atkinson, accompanied Natalie Merchant onstage for lush arrangements of career-spanning tunes.

On an atypically chilly evening for late-spring on the Upper West Side of Manhattan, patrons began to congregate in Alice Tully Hall’s foyer one hour before showtime to relax with a drink from the bar and to check out the ‘merch’ table, which included signed vinyl copies of Keep Your Courage selling for $50. At 7:30 pm, doors to the 1,086-capacity theater renovated in 2006 and known for its exceptional acoustics officially opened. Walking into the theater alongside other attendees to take our respective seat in the orchestra section or balcony, we were immediately taken aback by the theater’s grandeur, particularly the venue’s centerpiece, a cathedral-sized, 19-ton, Swiss-made pipe organ built in 1974.

Running slightly behind schedule, the house lights suddenly dimmed at 8:10 pm and the moment we all had been waiting for was finally upon us! Entering stage right in the first of two elegant, long skirt and blouse ensembles Merchant would be rocking tonight, the epic 23-song show comprised of two sets (separated by a 20-minute intermission) and an encore was officially underway with “Lulu,” from her self-titled studio album released in 2014. At the song’s conclusion, Merchant explained that she wrote the song about Louise Brooks, the American film actress and Jazz Age icon of the 1920s and 1930s who of all things, popularized the bob hairstyle.

With a setlist mimicking Friday night’s selections and order (despite Merchant and The Knights reportedly sound checking “Seven Years” and “My Skin” at rehearsals earlier in the day), Merchant’s voice was in top form, like a fine wine, as she gracefully danced, twirled and flowed from one end of the stage to the other, frequently interacting with her beaming audience.

Speaking of superb vocals, Merchant was joined onstage by two back-up vocalists for several songs, including “Lady Bird,” “Break Your Heart,” “Big Girls,” “Come On, Aphrodite,” “Kind & Generous” and “Tower of Babel.” One of the vocalists who teamed with Merchant during both Lincoln Center performances was Abena Koomson-Davis, a renowned performer and the musical director of the Resistance Revival Chorus, who also sings two duets on 2023’s Keep Your Courage.

As The Knights continued to compliment Merchant’s repertoire of current and past array of heartfelt melodies Saturday night, her innocent charm was palpable. Having matured into a beautifully refined artist over the course of nearly four decades, her songs have the ability to touch the inner soul of her listeners. Tonight, during “Beloved Wife” (Tigerlily, 1995) and “Sister Tilly” (an homage to powerful women from Keep Your Courage), she pulled on her own heartstrings as she was brought to tears during each of these emotional song deliveries. Poking fun at herself as she continued to wipe away the tears, the 2 hour, 30 minute display of live solo material was unfortunately nearing its climax.

The second set consummated with the entire house rising to their collective feet for a rousing rendition of “Kind & Generous” (Ophelia, 1998), followed by thunderous applause which lasted for minutes until Merchant appeased her adoring fans for a three song encore consisting of “Tower of Babel” (Keep Your Courage), fan-favorite “Carnival” (Tigerlily) and “These are Days” (Our Time in Eden, 1992), the lone 10,000 Maniacs number of the night. Before commencing the encore, Merchant quipped, “You are [all] gluttons! A three hour show, that’s what you all get, like Bruce Springsteen!”

Well past 11:00 pm, Natalie Anne Merchant fans of all ages, including a generous sampling of teenagers with their Gen X parents, gleefully filed out of the concert hall and into the Gotham night. Despite all of us going our separate way, we unanimously agreed on one thing – that it’s true, we are all “blessed and lucky” to have witnessed firsthand an emotionally-captivating performance by an artist that oozed both life and passion.

The North American leg of Merchant’s Keep Your Courage Tour will resume in St. Louis, Missouri on June 22. And in case you missed either of her Lincoln Center shows in the Big Apple, or you just need another dose of ‘90s nostalgia, Merchant will be back in the tri-state area to perform with a full orchestra again at New Jersey Performing Arts Center (NJPAC) in Newark, New Jersey on June 25. The thirty-sixth and final show in the lower 48 will occur on September 30 in Los Angeles, California.

Following a much-needed respite during October, Merchant will then continue her tour abroad with nine more shows, including five across the pond in the United Kingdom, as well as stopovers in Dublin and Amsterdam, with the tour finale scheduled for November 14 in Brussels, Belgium.

Setlist

Set 1: Lulu > Maggie and Milly and Molly and May > The Feast of St. Valentine > The Worst Thing > Frozen Charlotte > Ladybird > Giving Up Everything > The Letter > Narcissus > Break Your Heart > Big Girls

Set 2: River > Ophelia > Guardian Angel > Beloved Wife > Sister Tilly > Wonder > Come On, Aphrodite > Life Is Sweet > Kind & Generous

Encore: Tower of Babel > Carnival > These Are Days (10,000 Maniacs song)