The latest from Jay Sanford’s project, Sanford, is at once an ending and a beginning. “Anymore” is the third release from an upcoming full-length album under Sanford; though just released it has been a staple of his live show sets, included among a wide range of artists in his diverse set lists — Sam Cooke, Joy Division, Fats Waller. “Anymore” has a positive message of optimism and action. It feels like a goodbye, but maybe it’s a hello.
“Anymore” is a twisty word, especially on its own, cut-off and isolated from the rest of his lyric: “Ain’t gonna walk these streets anymore.” Anymore, repeated thereafter on its own, projects almost a yearning, it asks, demands, “is there any more?” Though in the rest of the lyrics, it seems that Sanford is tired and dejected by his current location — “Walking these streets I’ve been a thousand times / Walking these streets got me out of my mind / Same old footprints I have left before / Ain’t gonna walk these streets anymore.” At the same time, he’s noticing the streets, reveling in his own footprints; it seems he’s savoring these last moments as they are fleeting. This duality is true for anyone moving, leaving and changing, you think you’re ready to stay goodbye, but in that farewell the places you feel you’ve been a million times suddenly look brand new. You see them as you never saw them before.
Anyway, “Anymore.” It has the southern twang of Jay Sanford’s hometown in South Carolina and a brooding, bouncing bass-line that evokes Sanford’s current locale, Brooklyn. The stellar horn section — made up of Wayne and Miles Tucker, on trumpet and tenor saxophone respectively — gently guides these two seemingly opposing forces together. Wayne Tucker is lending some star power to Sanford’s latest release, Tucker has played with many jazz, pop and country stars before Sanford, including Al Foster, Elvis Costello and Taylor Swift. His trumpet is subdued on this track, but still offers nuance to “Anymore.”
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