On Syracuse pop rock duo Elephant Back’s self-titled debut album, the group dabbles across genres in an impressive scale across a short period of time.
The record, released on August 5, asserts its ever fluctuant musical identity from the start, with the quiet desert rock grooves and varied percussion of opener “Hier Kom Die Olifant” being directly followed by the loud drums and noisy guitars of the melodic “Kiss The Sky.” The album isn’t shy about its array of inspiration, with Jimi Hendrix’s famed “excuse me while I kiss the sky” line being interpolated at the center of the song.
“Shifting Gears” almost seems like a tribute to Sonic Youth, with abrasive guitar riffs complementing lustful, spoken word vocals that ring similar to Kim Gordon. “Come over here so I can annihilate you, violate you,” the song finishes with, adhering to the intimate aggression which characterized the indie rock legends. This is by far the most lyrically violent moment on the project however, with subject matter being quite optimistic and straightforward for the most part.
The menacing guitar and frenetic drum playing of “Take My Stance” is underscored by optimistic lines such as “the truth will find what’s inside, one love to find” on its hook. The cheery, glittery piano rock of “Believe” complements claps of woodblock and cowbell with pristine imagery with its closing lyrics: “open your eyes, sunshine blue skies, no reason to hide, relax and unwind.”
While Elephant Back displays strong musicianship across the record, the album’s percussion is a high mark in this department. The anxious blues rock of “Can’t Stop” is highlighted by its entertaining drum fills and hissing maracas. The infectious chorus of late album reggae track “Get It On Right” is enhanced by some impressively technical and subtly quick work on the drum set.
With how diverse this album is, moments of intrigue are found all around. The delicate acoustic folk of “Amaranthine” doesn’t wait around for the subsequent contrast of the boisterous following track “Go To War” with its Led Zeppelin-adjacent vocals and arpeggiating guitar solo. The slow “I, Wonder” rings of Creedence Clearwater Revival in a romantic moment, with lines such as “you’re more than just a conversation, and I can see it in everything you do.”
The record’s mixing has some rougher areas, with the vocals on certain tracks sounding either quiet or somewhat overpowered. It also ends on a bit of an odd note with “Holiday,” a strange 40-second hodge-podge of banjo and synth.
In total though, the positives reign supreme. Elephant Back’s debut album is an incredibly wide-ranging project that showcases tight musicianship and plenty of experimentation.
Upcoming Elephant Back Shows:
October 1st – Green Jello Studios Los Angeles, CA
October 6th – Funk N Waffles Syracuse, NY
October 29th – The Downstairs Ithaca, NY
December 11th – The Bowery Electric, NYC
More info regarding the band can be found on the Elephant Back website.
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