Mount Sharp is back with their first release in five years, That Shadow, due out on February 21 via Dadstache Records. They’ve just released the single and video for “Ordinary” ahead of the album’s release and their record release show at Gutter in Brooklyn on Saturday, February 22.
The first taste of the new record came with their first single, “Apostate.” Post-Trash, who premiered the video, said,”Our first taste of the band’s long-awaited new music comes in the form of ‘Apostate,’ a song that pulls from the band’s more serene end, a dreamy song to melt away to during this heat wave. Built on a resonant twang and a pulsating rhythm, the song breathes at a natural clip, drawing between a soft intimacy and a thick fuzzy build up by the bridge. There’s a syrupy quality to the vocals that stick with you after the song has ended, and while you may not instantly remember the lyrics, the melody is now part of consciousness, like a distant memory that repeats in your mind.”
Mount Sharp began on a rooftop in Brooklyn, or on a boat in Maine, or perhaps somewhere in between. The band grew around the bittersweet, poetic songwriting of Swood (Sarah Wood) paired with Bryan Bruchman’s noisy, chaotic tendencies around 2012. On 2014’s WEIRD FEARS EP (with the rhythm section of Ryan Zumsen and Maia Macdonald), the band exhibited a blast of unbridled energy, excitement, and confusion – a fitting soundtrack to a brief, blissful, carefree time before so much changed. The band – now with Sal Garro and Jonathan Pilkington Kahnt firmly holding down the drums and bass – has matured, and the songs are maybe a little more serious, maybe a little more reflective, but no less cutting and catchy. Taking inspiration from the cosmos, sci-fi TV, and the messed up state of the world, Mount Sharp puts all the feels into song.
That Shadow follows, too. It’s full of sticky melodies, lyrics that cut, and surging waves of noise. It’s designed to get under the skin. Inspired by years of watching all the assholes they know win, figuring out how to be kinder to themselves, and all the beautiful and tragic machines in space, the band says the record is everything that pulls them to look behind themselves. They believe we should be looking up and dreaming.
All tracks were produced by Brian Sendrowitz (Beat Radio) at Miracle Flag in Bellmore, NY, mastered by Sarah Register (Talk Normal, Protomartyr, Caroline Rose, Chastity Belt, Big Thief, Lower Dens, and Big Ups), and with artwork using images of textile artist Jenna Breiter’s work, including an original illustration for the LP cover.
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